| Many times the general public associates
| |
| | but originally Waterston was best known
|
| an actor with a role theyplay on a
| |
| | for hisstage roles. He went to Yale,
|
| long-running television show, not
| |
| | where he did not study acting, butdid
|
| realizing that oftenthat thespian had an
| |
| | taking acting classes at the American
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| active career on the stage first. Jerry
| |
| | Actors Workshop in Paris.
|
| Orbachand Sam Waterston on Law and Order,
| |
| | Waterston?played numerous roles in New
|
| Jason Alexander on
| |
| | York, including Jonathanin Oh, Dad, Poor,
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| Seinfeld, and Patricia Heaton on
| |
| | Dad, Mama¡¯s Hung You in the Closet and
|
| Everybody Loves Raymond are afew of the
| |
| | I¡¯m
|
| many actors who first trained for, cut
| |
| | Feeling so Sad, Hamlet in Hamlet, and
|
| their teeth on, andprofessionally
| |
| | Signoir Benedick of Padua in
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| performed on the legitimate stage.
| |
| | Much Ado About Nothing, for which he won
|
| The fact is the technique most often
| |
| | the Drama desk awardfor Best Actor.
|
| taught to American stageactors - some
| |
| | Prior to becoming associated with Law and
|
| form of the Stanislavski Method - works
| |
| | Order,he was best known for his work in
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| very nicelyon both TV and film. Although
| |
| | straight plays, both new andclassic. On
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| there are adjustments to be madegoing
| |
| | stage, Waterston perfected an elegant,
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| from the stage to television, a
| |
| | refined style,displaying an ability to
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| well-trained stage actor canusually make
| |
| | make precise and subtle acting choices.
|
| those adjustments fairly quickly.
| |
| | Barry Bostwick
|
| The biggest changes have to do with the
| |
| | On the Michael J. Fox sitcom Spin City,
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| subtlety employed bythose acting for the
| |
| | Bostwick played thedimwitted mayor
|
| camera. Stage actors find that physically
| |
| | Randall M. Winston Jr. in 70 episodes.
|
| andvocally less is more in front of the
| |
| | Since thattime, he¡¯s appeared on
|
| camera. Additionally, a good filmor
| |
| | numerous hit TV shows as a guest
|
| television actor has a sound sense of how
| |
| | star,including Scrubs, Cold Case and Law
|
| to use the cameraframe to their best
| |
| | and Order. But Bostwick hasdeep Broadway
|
| advantage. An actor like Michael Caine is
| |
| | roots that include the creation of the
|
| amaster at this.
| |
| | role of Danny
|
| For someone who has only done television
| |
| | Zuko in Grease, for which he received a
|
| or film, acting on thestage can be
| |
| | Best Actor in a Musicalnomination, and
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| difficult. The stage demands that actors
| |
| | the creation of the lead role of Jamie
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| sustain acharacter for long periods of
| |
| | Lockhart inthe musical The Robber
|
| time, something the electronic mediadoes
| |
| | Bridegroom, for which he won the Tony.
|
| not do. Overall, stage performing also
| |
| | Bostwick, who also played in numerous
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| calls for bigger actionsthan those needed
| |
| | straight plays, was knownfor his high
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| for television and film. If someone has
| |
| | energy and slapdash style. While
|
| neverbeen trained for the theatre, this
| |
| | performing in hisaward winning run as
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| can be intimidating.
| |
| | Jamie Lockhart, Bostwick broke his
|
| Of course the scariest thing about acting
| |
| | armwhen he fell swinging across the stage
|
| on stage is the fact thatyou¡¯re in
| |
| | on a rope. He proved hewas a trouper
|
| front of a live audience and if you make
| |
| | though when, after a short recuperative
|
| a mistake, youdon¡¯t get a Mulligan.
| |
| | period, hegot back on stage with his arm
|
| Even when a television show is done in
| |
| | in a cast and continued to play
|
| frontof a "live audience," there¡¯s
| |
| | Lockhart, rope swing and all.
|
| less pressure for the actor to beperfect.
| |
| | Patricia Heaton
|
| If they "go up" (that is, forget their
| |
| | For 70 episodes, Heaton played Debra
|
| lines), they can make ajoke and get a
| |
| | Barone, Ray Romano¡¯s wifeon the very
|
| laugh while "cut" is called. They then
| |
| | popular sitcom Everybody Loves Raymond.
|
| get to try themoment, action or scene
| |
| | As a youngwoman, she focused on theatre
|
| again. There is no "cut" in a live
| |
| | arts at Ohio State University andthen
|
| stageperformance; there is only
| |
| | went to New York where she studied with
|
| "covering" for a flubbed line, a
| |
| | William Esper. Shemade her debut in the
|
| missedentrance, or a misplaced prop.
| |
| | Broadway gospel musical Don¡¯t Get God
|
| Here are a few actors that you¡¯ve
| |
| | Started, but overall during her career in
|
| become familiar with ontelevision who
| |
| | New York she wasrelegated to small roles.
|
| first acted on the legitimate stage.
| |
| | With a few acting buddies, she started
|
| Jerry Orbach
| |
| | atheatre company called Stage Three,
|
| Orbach, who passed away in 2004, was best
| |
| | which produced new works in
|
| known as thewisecracking Detective Lennie
| |
| | NYC. In 1989 they took their successful
|
| Briscoe on Law and Order. As ayoung man,
| |
| | production of The
|
| he attended the University of Illinois
| |
| | Johnstown Vindicator to Los Angeles,
|
| and
| |
| | where casting directors sawand liked
|
| Northwestern University where he studied
| |
| | Heaton. Slowly her TV career started to
|
| drama. After going to
| |
| | take off. But
|
| New York, he continued to study for the
| |
| | Heaton has long acknowledged that despite
|
| stage. He became closelyassociated with
| |
| | the fact that shenever made it big on
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| musicals, creating the role of El Gallo
| |
| | Broadway, her stage training has
|
| and singingthe well-know opening number
| |
| | beeninstrumental to her success on
|
| "Try to Remember" in the long-running
| |
| | television.
|
| musical The Fantasticks. He won the Tony
| |
| | James Gandolfini
|
| in 1969 for hisportrayal of Chuck Baxter
| |
| | Gandolfini continues his run as the
|
| in Promises, Promises; he sang the
| |
| | cold-hearted, insecure,narcissistic Tony
|
| hitsong "I¡¯ll Never Fall in Love
| |
| | Soprano on HBO¡¯s hit series The
|
| Again" in that show. He also playedleads
| |
| | Sopranos. Afterreceiving a degree in
|
| in Chicago (Billy Flynn) and Forty-Second
| |
| | Communications from Rutgers University,
|
| Street (Julian
| |
| | Gandolfini went on to study acting in the
|
| Marsh). Most Law and Order fans don¡¯t
| |
| | late 1980¡¯s at theprestigious Actors
|
| realize that Orbach had abeautiful,
| |
| | Studio in New York City. After making
|
| resonate singing voice.
| |
| | hisprofessional stage debut in Big El's
|
| Bebe Neuwirth
| |
| | Best Friend, he appeared inmany New York
|
| Beatrice "Bebe" Neuwirth has recently
| |
| | productions. He made his Broadway debut
|
| become a regular on Lawand Order, where
| |
| | in 1992as Steve Hubbell in the revival of
|
| she plays the role of Tracey Kibre.
| |
| | Tennessee Williams¡¯ A Streetcar
|
| However, itwas on the sitcom Cheers that
| |
| | Named Desire, which starred Alex Baldwin
|
| she found fame by playing Lilith
| |
| | and Jessica Lang. Other
|
| Sternin-Crane - a tough, tense
| |
| | New York credits included On the
|
| psychiatrist and wife of Frasier
| |
| | Waterfront, One Day Wonder and
|
| Crane. Neuwirth trained at the Julliard
| |
| | Tarantulas Dancing. The same year he
|
| School and first made hername as a dancer
| |
| | first appeared on
|
| and actor in the national tour of A
| |
| | Broadway, he also landed his first screen
|
| Chorus Line
| |
| | role, which was in Sidney
|
| (1980), where she played Cassie and
| |
| | Lumet's A Stranger Among Us. Since 1992,
|
| Sheila. In 1982, sheappeared on Broadway
| |
| | he¡¯s appeared in over
|
| in Dancin¡¯, directed and choreographed
| |
| | 20 films. He¡¯s been Tony Soprano in
|
| bythe legendary Bob Fosse, and in the
| |
| | over 70 episodes.
|
| musical Little Me. Shecemented her
| |
| | Other actors, who have either made their
|
| reputation on the Great White Way by
| |
| | name or learnedinvaluable acting lessons
|
| playing thelead in Bob Fosse¡¯s revival
| |
| | in the theatre before becoming part ofthe
|
| of the musical Sweet Charity (1986),
| |
| | electronic entertainment industry,
|
| forwhich she won a Tony. Neuwirth is an
| |
| | include Martin Sheen,
|
| amazing, charismatic musicalperformer,
| |
| | Stockard Channing, Dustin Hoffman, Robert
|
| who commands the stage with her voice and
| |
| | Duvall, Meryl Streep,and Swoosie Kurtz.
|
| body.
| |
| | These actors have labored hard to learn
|
| Jason Alexander
| |
| | theircraft on what was the first acting
|
| Best know as Jerry Seinfeld¡¯s
| |
| | platform available to humankind -the live
|
| obnoxious best friend George
| |
| | stage.
|
| Costanza in the sitcom Seinfeld,
| |
| | Movies are a little over 100 years old
|
| Alexander, who was born Jay
| |
| | and television is about 75years old. The
|
| Greenspan in Newark, NJ, is another
| |
| | formal theatre goes back over 2,500
|
| former Tony winner. While hewas an
| |
| | years! It¡¯s thetrue learning and
|
| undergraduate at Boston College,
| |
| | testing ground for acting technique,
|
| Alexander was cast in
| |
| | stamina, andskill that, once honed, can
|
| Stephen Soundheim¡¯s Broadway musical
| |
| | then be transferred to any other venue.
|
| Merrily We Roll Along. Hewon the Best
| |
| | Go to a Broadway show or a professional
|
| Actor in A Musical Tony for his role in
| |
| | theatre near you - youmay catch a
|
| Jerome Robbin¡¯s
| |
| | performance by someone you¡¯ll see
|
| Broadway (1989). In the first few
| |
| | break through onthe tube in the next few
|
| episodes of Seinfeld, he wasn¡¯tquite
| |
| | years. One night, you¡¯ll be sitting in
|
| sure of how to play George Castanza so he
| |
| | yourden or living room watching the next
|
| imitated Woody
| |
| | big hit drama or sitcom andsay, "Hey,
|
| Allen.
| |
| | didn¡¯t we see that actor on the
|
| Sam Waterston
| |
| | stage?" Yeah, you did,before they were
|
| On television he plays tough, no nonsense
| |
| | famous. Very cool.
|
| D.A. Jack McCoy in Lawand Order (1990),
| |
| |
|