| Many times the general public associates an actor | | | | taking acting classes at the American Actors |
| with a role theyplay on a long-running television show, | | | | Workshop in Paris. |
| not realizing that oftenthat thespian had an active | | | | Waterston?played numerous roles in New York, |
| career on the stage first. Jerry Orbachand Sam | | | | including Jonathanin Oh, Dad, Poor, Dad, |
| Waterston on Law and Order, Jason Alexander on | | | | Mama¡¯s Hung You in the Closet and |
| Seinfeld, and Patricia Heaton on Everybody Loves | | | | I¡¯m |
| Raymond are afew of the many actors who first | | | | Feeling so Sad, Hamlet in Hamlet, and Signoir Benedick |
| trained for, cut their teeth on, andprofessionally | | | | of Padua in |
| performed on the legitimate stage. | | | | Much Ado About Nothing, for which he won the |
| The fact is the technique most often taught to | | | | Drama desk awardfor Best Actor. Prior to becoming |
| American stageactors - some form of the | | | | associated with Law and Order,he was best known |
| Stanislavski Method - works very nicelyon both TV | | | | for his work in straight plays, both new andclassic. On |
| and film. Although there are adjustments to be | | | | stage, Waterston perfected an elegant, refined |
| madegoing from the stage to television, a well-trained | | | | style,displaying an ability to make precise and subtle |
| stage actor canusually make those adjustments fairly | | | | acting choices. |
| quickly. | | | | Barry Bostwick |
| The biggest changes have to do with the subtlety | | | | On the Michael J. Fox sitcom Spin City, Bostwick |
| employed bythose acting for the camera. Stage | | | | played thedimwitted mayor Randall M. Winston Jr. in |
| actors find that physically andvocally less is more in | | | | 70 episodes. Since thattime, he¡¯s |
| front of the camera. Additionally, a good filmor | | | | appeared on numerous hit TV shows as a guest |
| television actor has a sound sense of how to use the | | | | star,including Scrubs, Cold Case and Law and Order. |
| cameraframe to their best advantage. An actor like | | | | But Bostwick hasdeep Broadway roots that include |
| Michael Caine is amaster at this. | | | | the creation of the role of Danny |
| For someone who has only done television or film, | | | | Zuko in Grease, for which he received a Best Actor |
| acting on thestage can be difficult. The stage | | | | in a Musicalnomination, and the creation of the lead |
| demands that actors sustain acharacter for long | | | | role of Jamie Lockhart inthe musical The Robber |
| periods of time, something the electronic mediadoes | | | | Bridegroom, for which he won the Tony. |
| not do. Overall, stage performing also calls for bigger | | | | Bostwick, who also played in numerous straight plays, |
| actionsthan those needed for television and film. If | | | | was knownfor his high energy and slapdash style. |
| someone has neverbeen trained for the theatre, this | | | | While performing in hisaward winning run as Jamie |
| can be intimidating. | | | | Lockhart, Bostwick broke his armwhen he fell |
| Of course the scariest thing about acting on stage is | | | | swinging across the stage on a rope. He proved |
| the fact thatyou¡¯re in front of a live | | | | hewas a trouper though when, after a short |
| audience and if you make a mistake, | | | | recuperative period, hegot back on stage with his |
| youdon¡¯t get a Mulligan. Even when a | | | | arm in a cast and continued to play |
| television show is done in frontof a "live audience," | | | | Lockhart, rope swing and all. |
| there¡¯s less pressure for the actor to | | | | Patricia Heaton |
| beperfect. If they "go up" (that is, forget their lines), | | | | For 70 episodes, Heaton played Debra Barone, Ray |
| they can make ajoke and get a laugh while "cut" is | | | | Romano¡¯s wifeon the very popular sitcom |
| called. They then get to try themoment, action or | | | | Everybody Loves Raymond. As a youngwoman, she |
| scene again. There is no "cut" in a live | | | | focused on theatre arts at Ohio State University |
| stageperformance; there is only "covering" for a | | | | andthen went to New York where she studied with |
| flubbed line, a missedentrance, or a misplaced prop. | | | | William Esper. Shemade her debut in the Broadway |
| Here are a few actors that you¡¯ve | | | | gospel musical Don¡¯t Get God |
| become familiar with ontelevision who first acted on | | | | Started, but overall during her career in New York |
| the legitimate stage. | | | | she wasrelegated to small roles. With a few acting |
| Jerry Orbach | | | | buddies, she started atheatre company called Stage |
| Orbach, who passed away in 2004, was best known | | | | Three, which produced new works in |
| as thewisecracking Detective Lennie Briscoe on Law | | | | NYC. In 1989 they took their successful production |
| and Order. As ayoung man, he attended the | | | | of The |
| University of Illinois and | | | | Johnstown Vindicator to Los Angeles, where casting |
| Northwestern University where he studied drama. | | | | directors sawand liked Heaton. Slowly her TV career |
| After going to | | | | started to take off. But |
| New York, he continued to study for the stage. He | | | | Heaton has long acknowledged that despite the fact |
| became closelyassociated with musicals, creating the | | | | that shenever made it big on Broadway, her stage |
| role of El Gallo and singingthe well-know opening | | | | training has beeninstrumental to her success on |
| number "Try to Remember" in the long-running | | | | television. |
| musical The Fantasticks. He won the Tony in 1969 | | | | James Gandolfini |
| for hisportrayal of Chuck Baxter in Promises, | | | | Gandolfini continues his run as the cold-hearted, |
| Promises; he sang the hitsong "I¡¯ll Never | | | | insecure,narcissistic Tony Soprano on |
| Fall in Love Again" in that show. He also playedleads in | | | | HBO¡¯s hit series The Sopranos. |
| Chicago (Billy Flynn) and Forty-Second Street (Julian | | | | Afterreceiving a degree in Communications from |
| Marsh). Most Law and Order fans don¡¯t | | | | Rutgers University, |
| realize that Orbach had abeautiful, resonate singing | | | | Gandolfini went on to study acting in the late |
| voice. | | | | 1980¡¯s at theprestigious Actors Studio in |
| Bebe Neuwirth | | | | New York City. After making hisprofessional stage |
| Beatrice "Bebe" Neuwirth has recently become a | | | | debut in Big El's Best Friend, he appeared inmany |
| regular on Lawand Order, where she plays the role | | | | New York productions. He made his Broadway debut |
| of Tracey Kibre. However, itwas on the sitcom | | | | in 1992as Steve Hubbell in the revival of Tennessee |
| Cheers that she found fame by playing Lilith | | | | Williams¡¯ A Streetcar |
| Sternin-Crane - a tough, tense psychiatrist and wife | | | | Named Desire, which starred Alex Baldwin and Jessica |
| of Frasier | | | | Lang. Other |
| Crane. Neuwirth trained at the Julliard School and first | | | | New York credits included On the Waterfront, One |
| made hername as a dancer and actor in the national | | | | Day Wonder and |
| tour of A Chorus Line | | | | Tarantulas Dancing. The same year he first appeared |
| (1980), where she played Cassie and Sheila. In 1982, | | | | on |
| sheappeared on Broadway in Dancin¡¯, | | | | Broadway, he also landed his first screen role, which |
| directed and choreographed bythe legendary Bob | | | | was in Sidney |
| Fosse, and in the musical Little Me. Shecemented her | | | | Lumet's A Stranger Among Us. Since 1992, |
| reputation on the Great White Way by playing | | | | he¡¯s appeared in over |
| thelead in Bob Fosse¡¯s revival of the | | | | 20 films. He¡¯s been Tony Soprano in over |
| musical Sweet Charity (1986), forwhich she won a | | | | 70 episodes. |
| Tony. Neuwirth is an amazing, charismatic | | | | Other actors, who have either made their name or |
| musicalperformer, who commands the stage with her | | | | learnedinvaluable acting lessons in the theatre before |
| voice and body. | | | | becoming part ofthe electronic entertainment |
| Jason Alexander | | | | industry, include Martin Sheen, |
| Best know as Jerry Seinfeld¡¯s obnoxious | | | | Stockard Channing, Dustin Hoffman, Robert Duvall, |
| best friend George | | | | Meryl Streep,and Swoosie Kurtz. These actors have |
| Costanza in the sitcom Seinfeld, Alexander, who was | | | | labored hard to learn theircraft on what was the first |
| born Jay | | | | acting platform available to humankind -the live stage. |
| Greenspan in Newark, NJ, is another former Tony | | | | Movies are a little over 100 years old and television is |
| winner. While hewas an undergraduate at Boston | | | | about 75years old. The formal theatre goes back |
| College, Alexander was cast in | | | | over 2,500 years! It¡¯s thetrue learning and |
| Stephen Soundheim¡¯s Broadway musical | | | | testing ground for acting technique, stamina, andskill |
| Merrily We Roll Along. Hewon the Best Actor in A | | | | that, once honed, can then be transferred to any |
| Musical Tony for his role in Jerome | | | | other venue. |
| Robbin¡¯s | | | | Go to a Broadway show or a professional theatre |
| Broadway (1989). In the first few episodes of | | | | near you - youmay catch a performance by |
| Seinfeld, he wasn¡¯tquite sure of how to | | | | someone you¡¯ll see break through onthe |
| play George Castanza so he imitated Woody | | | | tube in the next few years. One night, |
| Allen. | | | | you¡¯ll be sitting in yourden or living room |
| Sam Waterston | | | | watching the next big hit drama or sitcom andsay, |
| On television he plays tough, no nonsense D.A. Jack | | | | "Hey, didn¡¯t we see that actor on the |
| McCoy in Lawand Order (1990), but originally | | | | stage?" Yeah, you did,before they were famous. |
| Waterston was best known for hisstage roles. He | | | | Very cool. |
| went to Yale, where he did not study acting, butdid | | | | |